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This becomes very clear when her father beats her up after learning of her relationship with Flipper. We see a similar relationship develop with Paulie and his father.
His father's constant nagging about the number of each of the periodicals that he orders on a daily basis coupled with his lack of gratefulness for the meals that he cooks for him each day drive Paulie mad.
Though Paulie's father isn't as physically abusive as Angela's father is, we see his proclivity toward violence we he forces his way into the bathroom and whaps a teary-eyed Paulie on the head with a magazine.
Lee's choice to introduce the reverend doctor and his wife as parents of Gator first necessarily colors our impression of them as good parents. What type of parents produce a crackhead?
Certainly not the same type of parents that produce an upstanding architect, but maybe the type of parents who would rear an interracial adulterer.
Other than Drew, who we really never see interact with her child, Gator's mother is the only mother to which we're physically exposed in the text.
She loves both of her children and would rather not talk about the problems that exist in their relationships. Instead, she closes her eyes to the truth of Gator's drug habit and hands him money while he does the dances that she likes, and she would rather change the subject at the dinner table than broach the topic of adultery.
This approach to parenting doesn't work any better than that of her counterpart. The reverend doctor doesn't ever want to really talk to his kids about their problems without using biblical metaphors.
These one-sided diatribes seem to drown out any potential discussions just as much as the wailing of his favorite Mahalia Jackson records. In the end, he must kill his neglected son because he has deteriorated so extensively from crack use.
The film's concluding sequence has brought us full circle. The framing of the newspaper landing on Flipper's stoop initially suggests that everything has returned to normal - that Drew has accepted her husband back into her life.
Their daughter's smiles and giggles also point to the same conclusion. But we find, as Drew rolls over in bed and tells Flipper he better leave, that the sex is only a temporary fix for a desire for pleasure.
The sex will not solve the problems that it has created. It both mirrors in video and echoes in audio an almost identical part from earlier in the film.
Sex, a supposedly physical manifestation of love, often results in a product - a child. This child will then live in a society where sex and love is misguided or undirected altogether.
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Sign In. Keep track of everything you watch; tell your friends. Flipper's family refuses to give Gator money because he has repeatedly spent their money on crack.
Flipper searches all over Harlem for Gator, finding him in a crack house. He finally gives up on his brother and cuts him off, not before attacking Vivian after hearing about what happened to the TV telling him that he is not allowed to ask anyone in his family for money.
Flipper also concludes that no one in the family will give Gator any more money. Rebelling, Gator arrives at his parents' house to ask for money and, after Lucinda refuses him, begins to ransack the home.
Gator's erratic behavior leads to an altercation with both of his parents. It ends with The Good Reverend shooting him in the groin region, proclaiming his son to be "evil and better off dead".
Gator collapses, screaming in pain, before he finally dies in a weeping Lucinda's arms with The Good Reverend watching remorsefully. Paulie is taunted by his racist Italian-American friends for having lost his girlfriend to a black man.
Paulie asks one of his customers - a friendly black woman named Orin Goode Tyra Ferrell - on a date.
This angers Paulie's father, whom Paulie defies. On his way to meet Orin, Paulie is surrounded and assaulted viciously by his customers for his attempt at an interracial relationship.
Although beaten, Paulie still arrives at Orin's for their date. Frankie, one of the attackers despises black people although loves Public Enemy.
Angie later is accepted back into her father's home and Flipper tries to mend his relationship with Drew. Unfortunately, it is unsuccessful.
He talks to his daughter as she is in bed. As Flipper leaves his apartment, a young crack-addicted prostitute propositions him, calling him "daddy"; in response, Flipper throws his arms around her and cries out in torment.
In a deleted scene, Flipper is driving a car with Cyrus inside when Frankie asks him to pull over. Eventually, Flipper takes off while Frankie stares at the open space in shock.
Lee dedicated the film to Yusuf Hawkins. According to the New York Daily News , "the attack had more to do with race than romance". In the film, Flipper's brother, Gator, is a crack addict.
He is constantly pestering his family members for money. Applies to hookups and relationships. My best friend Jessica has that jungle fever, she just can't get enough of that chocolate dick.
A: I want to be single now, and stay away from guys. I swear! B: Damn you got that jungle fever baddd. That is, they're consumed by the mythology behind a person's race ie virility of Black men, the Black penis, Blacks as more primitive and closer to the mythical Jungle, etc.
Many are attracted to such relationships because they perceive them as transgressive and are turned on by that. Not all Black-White relationships are based on Jungle Fever.